Person of the Week

D.Y. Begay

Navajo Weaver

In my Navajo culture, we say weaving is life.   As a Navajo weaver or a Navajo woman, I feel that it is a responsibility to sustain this weaving tradition.  It’s just not sitting at the loom.  It involves raising sheep …..

1.  What led you to the mission of being a Navajo weaver?

I am a Navajo and I come from the Tselani, Arizona which is located in the Four Corners Region of the Navajo Reservation.  My weaving is from a long tradition.  I was born into a family of weavers.  I am aDSC03064 fourth generation weaver.  As far as I can remember as a young girl, I was always interested in weaving.  My curiosity led me to weaving.  Weaving is a very important element in my Navajo culture.  This is a traditional culture and part of who I am.  (To see D.Y. Begay’s website, click here.)

I received an education at Arizona State University.  This was the second thing that drew me into weaving and art.  I had the opportunity to take some unique weaving classes that inspired me.  This also helped me explore and study weaving.

I’ve been weaving in this way for about thirty years.  I was exposed to weaving as a young girl, but I started weaving all by myself after high school.  I wove off and on until I got older and then it became a profession for me.

2.  What does this mission mean to you?

In my Navajo culture, we say weaving is life.  That invokes different meaning.  Our way of life is a traditional life way.  Because of our dy begay pictureweaving tradition, we are able to survive and sustain a tradition which is weaving.  As a Navajo weaver or a Navajo woman, I feel that it is a responsibility to sustain this weaving tradition.

The whole process of weaving is weaving as life.  Weaving entails sheep – all the way to the finished product.  Weaving involves a lot of aspects.  It’s just not sitting at the loom and weaving in and out of a warp system.  In my Navajo weaving culture, weaving involves raising sheep, taking care of sheep, and at Sheepa special time of year we shear the sheep.  We take all the hair off the sheep.  We get to keep some of the wool for our weaving.

The shearing comes first and then comes the cleaning and caring of the wool.  This is the process of carding, spinning, and dyeing the wool.  Then there is the process of dressing the loom, designing the loom, and finishing the weaving.  So it is a pretty broad topic.

3.  What was your best day as a Navajo weaver?

My best day was at a particular time as a weaver in the 1980’s whendy begay picture 2 I started experimenting with natural dye.  The first project with dyeing was with indigo dye.  It’s not an easy process.  It involves a lot of chemical setting and vat setting.  My first attempt at indigo vat setting was a success!  I was very fascinated and excited and intrigued.  The magic was the color.  I think of my weaving as each day being a good day, but the indigo dye process was a highlight.  It just excited me.dy begay blue

That came to my mind as a very successful and best day for me.  This might be different from a normal day to a person who is not a weaver.  But to me weaving is not just an act of putting yarn in and out of the warps.  There are many other aspects of weaving that can be exciting and rewarding.

4.  What was your worst day as a Navajo weaver?

I always look on the bright side and the positive side of life.  But I remembered one of my worst days.  One day I finished a tapestry.  I _JWM3229decided to steam the finished tapestry to straighten and flatten the weaving.  As soon as I did that, the tapestry instantly collapsed, shrunk, and curled.  That was a bad, bad day for me.  It was very embarrassing and it was very shameful.  I do some consulting with museums and do fiber analysis and documentation.  I found that this was an incidence that I was embarrassed to share as a textile conservator.

5.  How did you survive your worst day?

The first thing I did was walk out of my weaving room and didn’t even want to think of the accident.  It took me several days to look at the weaving again.  One of the things that I thought of was the SunsetsontheMesaexpression, “making lemonade out of lemon”.  What I thought about was how I make beautiful pillow covers and give them as gifts.  The accident didn’t go to waste.  I just turned around and thought about how I could utilize this ruined tapestry.  What I did was cut up the tapestry and make beautiful pillow covers.  I just couldn’t get myself to throw the tapestry away.  Part of it was still good.

I am very interested in working with elders – especially listening to their stories about weaving, about a way of life, or what they do.  That makes me think that my weaving is not just a profession, but it is more personal to me.  I encourage people to try weaving, to experiment, to explore, to listen to other’s stories and to tell their own.

2 Comments

  1. Barbara Sheets 04/8/14
    10:47 pm

    I just realized I said you were raising goats for the wool. I meant SHEEP of course. It’s a good thing I am not doing what you do–I would be trying to grow wool on goats! Thanks again for your contribution.

    Reply

  2. Barbara Sheets 04/8/14
    10:28 pm

    I liked reading about your rug weaving and I admire your diligence in continuing the tradition and history of Navajo weaving. You start by raising the goats to produce the yarn so you are totally involved in the entire process. How many artists begin their art at this basic level? I felt the joy in your story when you described the indigo dye. It is a beautiful color. Thank you for your story and your craft.

    Reply

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